The ARRI ALEXA 35 is the first camera built around the ALEV 4 sensor and is currently the reference tool for narrative films, series and high-end commercials. Compared with the previous ALEXA generation, it adds 2.5 stops of dynamic range, so detail in highlights and shadows stays clean even in extremely contrasty scenes, such as an interior with a window onto a sunlit exterior.
ARRI REVEAL color processing delivers more accurate color reproduction and natural skin tones that are easy to color-grade and combine without issues with footage from other ARRI cameras. ARRI Textures also lets you define the character of the image – grain and contrast – directly in the camera, similar to choosing a film negative.
Ideal for
Why ALEXA 35
- 17 stops of dynamic range and sensitivity EI 160 – 6400 without compromise in low light.
- ARRI Textures – the image character is set directly in the camera, not in post-production.
- Internal ENS ND filters in the range 0.6 – 2.4 they save time when changing exposure.
- LPL mount with PL adapter – works with large-format and classic PL lenses.
On set
The set is ready for handheld, tripod, dolly and gimbal work – it includes an MVF-2 viewfinder, handles, 19 mm bridge plate, Codex media with reader and four B-mount batteries with charger. For full potential of the camera we recommend ARRI Ultra Prime, ZEISS Supreme Prime or Cooke lenses and the ARRI WCU-4 wireless follow focus, which you will find in our range.
Image
| Sensor | ARRI ALEV 4, Super 35 |
|---|---|
| Max. resolution | 4.6K (4608 × 3164, 3:2 open gate) |
| Dynamic range | 17 stops |
| Sensitivity | EI 160 – 6400 |
Recording
| Codecs | ARRIRAW, Apple ProRes |
|---|---|
| RAW | yes, ARRIRAW internally |
| Max. frame rate | up to 120 fps (depending on format) |
| Recording media | Codex Compact Drive |
Body and controls
| Bayonet | LPL (PL-LPL adapter included) |
|---|---|
| ND filters | internal ENS 0.6 – 2.4 |
| Image stabilization | no |
| Autofocus | no |
| Power | B-mount 24 V |
| Weight | approx. 2.9 kg (body) |
